#.for some characters this is very easy. for others it's even canon and why i got so attached to begin with lol.

[the-algebra-thing]

the misogyny deal that I'm hearing about with the lesbian ship being endgame and everybody now discarding them and being more invested in the straight ship or the gay one is like. god like i get it I do. it is tragic it feels wrong. it's so fucked up that everyone is going utterly insane over jayvik and caitvi is kinda in the dust. we literally scored a show with a central lesbian relationship that is fully canon and in theory this should be insane and awesome, and in some ways it is, but it's somehow not nearly as exciting as it was supposed to be. and I don't think the misogyny is completely on the viewers, if at all.

the reason that people are not as invested in it now as they were in season one is because the writing ended up accomplishing basically nothing solid in the whole damn show, and there were no through lines to latch onto that had meaningful or new themes attached, and so now everybody is flailing for anything to grasp onto. and they just didn't write caitvi in season 2 to be a good handhold. they started a lot of cool things with them and then changed direction in the middle, maybe even several times, and I also feel like the fuckass end to jinx's storyline and involvement (which I have plenty of thoughts about that I shan't get into here) kind of wrecked anything they would've been able to salvage from it. it just wasn't written in a way that is easy to parse or navigate—the ship OR the show in its entirety.

and so people are reaching for the easiest things to latch onto: timebomb had a simple, straightforward storyline and tragic ending, and it was pretty cute I guess. jayvik had one of the most central storylines to the narrative, was supremely gay, and did the howl's moving castle thing. I'm sure you can see which of the camps I'm closer to LMAO but like. caitlyn and vi DID have lesbian sex in a prison cell and I think that was very important, and they had some other concrete things going for them, but beyond that?? they're still alive and together but now they're kind of physically and mentally destroyed, and grieving, and for what. what was their story even about. what was the theme here; what were we trying to say with this. that oppressed people and cops can get married to each other and we should be happy about it?? like I dont get it; it didn't DO anything. and that's why it's falling into the background. and that's not on shippers or any of us, that's on the writers, for failing lesbians Again.

a theme isn't just a word or a statement. you've got to say something new, or say something old in a new way, or point out something new in something old. none of those things happened. they just threw some characters onscreen and some of them had very meaningful relationships, but because those relationships weren't tethered securely to one of these things, they didn't stick. vi and caitlyn had nothing to stick to. I don't like it either but I think that's why this is happening. the idea about lesbians getting trampled on is still relevant, I just wouldn't blame each other so readily

[dreamerdrop]

If I get attached to a character, I can promise you I've already started writing an essay in my head about why they're a CSA survivor in disturbing detail.

[arolesbianism]

Brute: ah yes I have finally gotten Softie to communicate with Queen and Alpha which has already done wonders for basically repairing the former and beginning the repairs for the latter. Maybe I can finally be free from this hell of my own creation and live with my loved ones happily -]

The evil and nefarious Beats:

[amandacanwrite]

I would like to share a few head canons for Gale Dekarios being in love with tav/you. If you liked this one and have a request for another character let me know. These ones have just been percolating for a bit.

In Battle

He tries very hard to stay near you. He doesn’t like it when you go off on your own. He knows he doesn’t quite have the strength of Karlach or the sure footedness of Astarion, but he’s not just going to let you fight everyone on your own.

Sometimes he gets a little hurt that you always put yourself in harms way/take so much of the damage on the battlefield. Don’t you know that losing you would destroy him?

You have never witnessed it, but according to the other party members he goes feral if you’re knocked unconscious.

When you wake up it’s always with your head cradled in his lap as shadowheart works on the worst of the wounds.

He does this thing with his magic where he makes his hands really cold. It feels nice on your feverish skin as he gently smooths your hair away from your face, you don’t know why you feel so nauseous and sweaty after you black out but this little gesture helps you come back smoothly.

He has a hard time sleeping after a rough encounter. He keeps waking up and making sure you’re still breathing. In the end he gives up on sleeping and just reads by the fire, calming his nerves to the sound of your steady, stable breathing.

In Camp

He is hilariously fussy about what you eat.

“No, you ABSOLUTELY CANNOT subsist off of a loaf of bread, three olives and a bottle of wine. We are no longer young scholars barely SCRAPING by—“

Very resourceful when it comes to what you can scrape together out of barrels around camp. You were very skeptical when you watched him putting a variety of different bones into a cauldron as you left him back in camp one day. But you came back to a rich stew full of potatoes, some wild rice and even some cut up apple in the mix.

He likes it when you play with his hair. But he has to very pointedly avoid it if he’s in the middle of reading up on something.

“Darling, are you certain you’re not practiced in the arcane arts? I do think you’ve got some magic in those fingertips of yours, at the very least, with how quickly they can put me to sleep.”

When You’re Alone

It’s simple. He worships you. Perhaps it’s because his last lover was a goddess but it seems to come easy for him; the reverent words, the gentle touches, the utter devotion. Sometimes you catch him just… looking at you. His eyes softly hooded, a relaxed curve to his lips. It’s your favorite to ask what’s on his mind when he looks at you like that.

“Hm? Oh, nothing much. I’ve just been observing. Did you know you purse your lips when you’re reading something that you disagree with? Yes—hah—just like that.”

He loves to read WITH you. Especially loves to show you some of his favorite tomes. He’ll get you all nestled up against him and hold the book down in front of you. He reads much faster than you, so he busies himself kissing behind your ear or playing with your hair until you turn the page.

Gods does he love it when you ask him questions about something to do with magic. He loves watching the glint in your eye when he’s helped you understand something.

You love it when you get him rolling on a topic of theory that you know he doesn’t get to talk about much. Sometimes he loses you when he gets into the minutiae, but he’s so damn cute when he’s ranting about the wonder in the world.

In Intimate Moments

(Potential NSFW below.)

Of course it is not a surprise that he’s a generous lover. What is a surprise is how demanding he can be when he feels like it. He knows you are no stranger to a challenge and he loves to make things more exciting by presenting you with one.

“Of course I’m aware of our companions in camp. But it’s not as if we can afford ourselves more privacy. You’re just going to have to quiet those lovely little sounds you make while I touch you… let’s see… it was here wasn’t it? Ah, ah… shhhh, my love. Those pointy ears of Astarion’s might pick even that tiny sound.”

Gods does he know how to string words together to leave you completely undone.

Sometimes foreplay is mostly talk. He can get you going without even touching you.

“My love, I’ve not been able to stop thinking of the ways I want to touch you all day. Shall I tell you what’s been on my mind?”

His breath tickles against your ear as his hands smooth over your clothed body, telling you how he wants to take you. It’s all the more flustering when you know he always keeps his word.

Love making always starts with a kiss, deep and slow.

You feel him smile into the kiss when he slips his fingers into the front of your trousers and he feels just how aroused he’s made you.

“You are exquisite. A delicacy of the highest quality. Do you know that?”

He’s not one to bang it out for a quickie. He doesn’t like to feel like he’s stealing his time with you, or like he’s a young man again and hastily getting whatever he can before heading back to the dormitories. Every touch, every word, every thrust is slow and deliberate. He wants to relish the feeling of it all. He wants to soak you in.

Somehow, he always smells good. Like cinnamon and tea and… some earthen, herbaceous scent you cant place.

So many cuddles after you’re done.

[silkentine]

Okay okay okay everyone be cool.

AHHHHHHHHHHHHH!!!! IT’S SANJI’S TURN!!! I think my bias really shines through by the fact that there are four illustrations rather than my usual three. Not to mention… this isn’t even half of the busts that I’ve drawn and also none of these are post-timeskip. I need to make a whoooole other character sheet for post-timeskip Sanji. She changes a lot in two years.

But I digress, here are my design notes for Sanji: (WARNING includes discussion of Sanji’s journey during the timeskip. There are also some super duper minor vague spoilers for whole cake island but those are written in blue so you can skip over them easily.)

So personality wise, I wanted to keep a lot of her complex relationship with femininity and gender. She grew up under the care of super butch Zeff who taught her that being a girl doesn’t mean that you have to be girly; in fact, it’s probably best if you toughen up so you can protect people who need it. Sanji takes this to heart and becomes a total tomboy, she believes that she’s rejected her feminine side completely.

She’s also a diehard romantic!! She’s the dashing prince who has come to save every damsel she comes across. She finds it very easy to flirt with women because it was very much the modus operandi on the Baratie, but she’s all talk. She gets flustered very easily once any romantic endeavor starts to bear fruit. She’ll make some poignant revelations about why once she lives in the Kamabakka Kingdom.

So why isn’t she wearing a suit? Because I’m a whore for an apron. It’s the perfect way to establish the silhouette of a dress but maintain a clean, utilitarian appearance. Fem!Sanji is more line-cook than waitress, but she DOES wear menswear pieces. I’ve put her in a silk vest with flared slacks in one outfit and she’s sporting that cute tie from Long Ring Long Land in another. Very preppy. I think she mostly wears tidier versions of Sanji’s more casual outfits: patterned button ups, cargo shorts, tees. She is religious about keeping her nails clean and manicured though. As fussy as canon Sanji is about his suits? Fem!Sanji is tenfold more fussy about her nails. She never wears polish (it could chip into the food) but her digits are trimmed perfectly and buffed to a shine.✨

She has a birthmark(?) at the nape of her neck that isn’t a scar but doesn’t tan. No one’s ever noticed it before because she was pretty good about staying inside when she lived on the Baratie but, now that she’s out adventuring on a much smaller ship, she finds herself basking in the sun more often and the mark is becoming more defined. She would be mortified to know it was there, especially since it doesn’t show up on the four other people who have similar marks because their skin cells are invulnerable to UV. (Inspired by @themetalhiro )

I love Sanji so so so so so so much. This design is like… 50% what I wish I looked like, 49% what I think is hot, and 1% forced-feminized transponder snail. I’ll have so much more to say about her characterization when I post the next version. Let me know your thoughts in the replies!!

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[mcuamerica]

Cabin by the Lake | Azriel x Fem!Reader

Featuring: Protective Bat Boys

Summary: Azriel is in a meeting in Autumn, while his family is unprotected from malicious visitors... Requested by anon here.

Warnings: 18+ only, canon level violence, misogyny, threat to child, not proofread

Disclaimer: I do not own SJM’s characters, only the ones I create for the purpose of this story. This is a work of fiction. I do not give permission to repost my work on any other platform or medium. Please be respectful.

Dividers from @saradika

The sun was out in full force on the summer day, beating down on you and Callan, your babe. You decided instead of spending the day sweltering in the cabin, you would gather your things and bring Callan to the small lake. Not too far from your cabin, you could still see the roof from where you sat on the sandy beach. Cal sat up, watching as small fish raced around his fingers.

You sent the image down the bond to your mate, who wasn't with you because of some Court business that needed tending to. Since you couldn't find someone to watch Callan, you decided to stay back. After all, you weren't a trained warrior and didn't do very well as a courtier. You much preferred being a healer for the Court... and watching your handsome mate protect you. And now, all you wanted to be was a mother. You never got a response from Azriel, deeming that he had closed his end for the meeting.

So you read your book, legs spread out on a towel from the cabin. You kept one eye on Cal as you read, enjoying the breeze that swept through the forest. As you reached for one of the many fruits you brought along, you heard a few twigs snapping in the distance. You didn't think much of it, since there were plenty of friendly animals in the forest just outside of Velaris.

When you heard Cal babble, his wings fluttering behind his back, you glanced up. You smiled as he crawled his way over to you, reaching out to be held. You picked him up, smiling when he reached to tug on the small moon necklace that hung from your neck. You whispered to him, silently scolding him as he tugged on it. It was Azriel's first gift to you when the bond snapped, a promise that as long as the moon still lit up at night, he would be there for you.

You heard more twigs snap, this time closer. As you turned your head, you noticed three winged males stalking towards the trees. Your heart beat kicked up as you rose to your feet, praying they didn't see or hear you. No one was out in these woods normally, which is exactly why Azriel chose this spot to build the cabin for your family. So you would be out of harms way when he was gone.

You didn't recognize the males as they walked through the tree line. You hid behind a tree, slightly bouncing Cal to keep him entertained but quiet.

"Come on out, sweetheart... We know you're here." One of the males taunted, his voice deep and brutal. You shut your eyes for a moment, trying to remember something, anything that Azriel and your family had taught you about defending yourself. But with Cal in your arms, there was nothing you could do.

"We want to show the Shadowsinger what messing with our females gets him... See how he likes it when his female isn't under his control anymore." Another male said.

You breathed deeply, tugging on the bond like you haven't before, praying to the Mother that Azriel would feel it. You even lashed out your mind to Feyre and Rhys, hoping they would hear something.

All of the sudden, there was a male two trees away from you. Damn. He spotted you. "I found her boys... and she has a little one with her too. Look at those wings, so breakable."

You held back a whimper, slowly backing from the tree and running straight into one of the males. He was almost a head taller than you, and his wings towered behind him. Cal started to fuss, sensing that his mother was nervous.

"Maybe we can ruin his heir for him too... Since he's made it so easy for our females to take them and run from us." One of them said, the one that spoke first.

The male that stood behind you grabbed your waist, pulling you closer to him. "Nothing to say, sweetheart?" He asked, his breath too close to your neck.

"I-I don't know who you're talking about." You stuttered, hoping you were convincing.

He tsked. "Don't lie.. we've seen you on visits to Ironcrest. We know the Shadowsinger lives in these woods with his... healer wife. No big strong man to protect you know, huh?"

Then you heard a thud on the ground ahead of you. You and the man both looked towards the sound... and beheld the High Lord of the Night Court, seething.

"Take your hands off her." He growled, using what you knew to be his High Lord voice.

You were trembling as the man kept his grip on you, now feeling a blade against your side.

"I would chose your steps carefully, Rhysand. One wrong move and I might just let this knife slip right through this pretty little waist." He said, his voice right in your voice.

You felt the tears run down your cheeks. Why had you never learned to protect yourself? Why did you always have to decline it. If you knew anything... you wouldn't need your family to come in to save you. You wouldn't be fearing for the life of your babe right now.

"I'm doing you a courtesy of giving you a chose. Hands. Off. Now." He said. You heard another thud beside you, and saw Cassian standing there. He made quick work of incapacitating the other two males. You felt slightly better, but not completely. Where was your mate?

"I don't think you understand my reason for being here." He said. "You see-"

You felt a warm splatter of liquid hit the back of your head and side of your face and neck. You let out a scream, finally stepping out of the males grasp. You soon realized it was blood streaming down your hair now, and your mate was the one who slit that males throat.

You breathing quickened as you held onto Cal tightly, who was now reaching for his Uncle Rhys as him and Cassian approached. Once Azriel was in front of you, you let Rhys take Cal and collapsed into Azriel's arms. "I-I couldn't do anything. I-I'm so sorry. They could have hurt Cal a-and-"

Azriel pulled away, cupping your cheeks. "Hey, hey... Don't blame yourself. You are okay. Cal is okay. Breath. It's okay." He said, stroking your cheek as you calmed your breathing. The tears dried up in your eyes, now feeling the calming net of safety that your mate provided. "I'm sorry I wasn't here to protect you." He said, wiping some of the blood off of your cheek.

"Next time, you're going to come with us. Or you'll stay in the House of Wind. I won't leave you here again until it's properly warded." He said and glanced over to see Cal giggling in Rhys's arms at some gesture Cassian made. "I have to keep my promise, don't I?" He asked.

You gave him a small, gentle smile as you heard the giggles fall from Cal's lips. "You always keep your promise." You said, taking a final deep breath.

"And I will always protect you. And our family." Azriel said, leaning down to kiss your head. "Now let's get you cleaned up. I think I want to spend the day at the lake with you." He said, winking at you.

You nudged him and shook your head as the two of you made your way over to your son. "Too soon." You said, though a small fit of laughter fell from your lips.

A/N: Hope you enjoyed!

Main Masterlist

[the-cat-and-the-birdie]

We talk about how mischaracterized Hobie is - which he is - but I honestly think someone else is characterized REALLY weirdly by fandom

Miguel O'Hara and Misrepresentation of His Rage: a.k.a Miguel has Ken Energy you fools

[this is a breakdown where I examine Miguel's trauma, his relationship with Miles, his role in The Society, and his personality]

I talk a lot of shit about the Hobie tag, but the over-saturation of smut in the Miguel tag is at critical mass.

And like Latino-fetishization aside, I feel like he's not written as a human.

He's written so flat.

I swear ya'll be writing him as the angriest, coldest, most anti-social man on earth. Ya'll be having him rude and avoidant with no friends whatsoever or a romantic soft latin lover and NO IN BETWEEN

which is so funny cause like... I feel like Miguel is Just A Guy

I know they're easy to overlook but I think about moments like these all the time

But I ALWAYS see him written him as friendless, and cold, or constantly irritated and angry but like - I feel like most of the time Miguel is just some dude. Like in a Good Way.

And he's fine with that.

Miguel runs a Society Full of Spider-people, and they're working for him voluntarily. Peter Parkers wouldn't work for someone they didn't think was genuinely, good-likeable, and level-headed.

He compliments Lego-Spider-Man. When Hobie was there he wasn't pissed he was just like 'not in the mood rn ngl'

and Hobie didn't take the piss outta him - because I feel like him and Hobie have a mutal understanding/relaxed relationship. All throughout the movie Hobie isn't talking bad about Miguel in specific - he never says anything about Miguel being annoying or evil - he's always taking about The Society Miguel has made.

Even Hobie - who will openly talk bad about the PM, doesn't really feel the need to diss Miguel's character in specific. Which I find very interesting.

I think this, along with a couple other things shows that the way we view Miguel in fandom is not really how he is, like..when he's not going buckwild insane.

Miguel and His Role as Canon

I could see Miguel taking his role as boss very seriously - the same way he took being a father.

Miguel has assumed the role of 'leader' over these Spider-people. In his eyes, it's his job to lead these people through their canon events to the other side, for the safety of the universe, and for them to become the people fate says they're supposed to be.

Because he made the mistake of 'going against fate'. A lot of the time we say that Miguel's justification is 'because I suffered, you must too'. But in his eyes, it's more like 'I tried to run from who I was supposed to be and it blew up in my face. Please don't make the same mistake - it's not worth it.'

Quiet literally 'Do what you're supposed to do, and things won't fall apart around you.'

And I think that really says a lot about how he feels about his own choices, and his own daughter.

Miguel broke canon to be with his daughter, and because of that, she - and billions of others, died. And Miguel feels directly responsible for that. In his eyes, he killed his daughter and murdered billions of people.

And although he loves his daughter - he sees it as not worth it. He sees taking her father's place as a mistake.

To Miguel, canon events and the pain they cause are much more 'worth it' and 'tolerable', than the pain and guilt of killing an entire universe.

Because with canon events, there is no fault. It's not your fault you couldn't catch Gwen Stacy. It's not that you're not fast enough, it's that it's suppose to happen. It's not your fault.

But in Miguel's case - it was his fault. It wasn't suppose to happen.

That's why Miles sets him off in a way others don't and can't. Because he wasn't supposed to happen.

When things are under control, Miguel is fine. When things aren't, Miguel isn't.

Miguel needs order. He needs canon. Not because he likes it, but because he feels beaten into submission by it. He feels safe in the idea that canon events happen even if you do everything right, because he still feels the guilt of having done something 'wrong'.

That's why he sees letting people die in canon events as 'the right thing'.

It's the trolley problem.

A trolley is hurtling at someone you love, on the other track there are 5 people. Do you let the one you love die, or do you hit the switch and save them - and take the blame for killing five people?

What's the right thing to do? Save your captain father and letting a universe die? Or letting your father die, but the universe will for sure live.

Miguel has already made his choice, even if he didn't know it at the time. By becoming a father, Miguel hit the switch. And he chose his daughter at the expense of a universe. And he regrets that decision. He feels guilt, like he's to blame.

When canon events happen, there's no one to blame. When anomalies happen, there is.

Miles and Miguel

Miles and Miguel have an interesting and unique dynamic with each other, one that I haven't seen anyone mention yet.

When I look at Miles and Miguel, especially in this scene:

I kinda see Miguel and a past version of himself. Miguel trying to stop what he sees - as someone about to make the same mistake he did.

When Miguel met his daughter, he didn't know about it's threat to the multiverse. And although it might be described as the best time in Miguel's life, he regrets it. If he would go back, he would have rather let his daughter live. Fatherless, but at least she would have lived.

Miguel didn't know. But Miles does. And that's what makes Miguel so furious.

Miles is going to go against canon, be with his dad, and threaten the multiverse. And Miguel believes that if Miles does this, billions of people and beings across a universe will die. 100% totality rate, 100% assured.

Miles is in the same position as Miguel once was. Miles has the same choice. To choose the one he loves over canon.

The only difference is Miles knows. He has a chance.

Miguel believes that Miles can spare himself the pain, and the guilt of murdering billions - if he just listened to him.

Miguel is the only Spider-person who has ever killed a Spider-verse. And he doesn't want that for Miles.

Miles being an anomaly was one thing. He was ready to calmly talk about that. But when Miguel sees him going down the same road as he once did, making the same choice even though Miguel is telling him not to - it makes it snap.

Because if Miguel could go back, knowing what he knows - if Miguel could only be in Miles' place - he wouldn't. Like Rio said - Miguel would kill to be in his place.

He sees Miguel like how Rio describes herself, oddly enough. Rio says she'd kill to be in Miles place, and she doesn't understand his 'irresponsible' behavior. But unbeknownst to her - his 'irresponsible' behavior is more heroic than she can understand.

Miguel is just the same. He sees Miles' choice as irresponsible, that he's making all the wrong choices even though people are throwing opportunity at him.

Miles is the only other Spider-person to risk what Miguel risked. And, genuinely believing everyone will die because of this - he's furious at Miles, the same way he's still furious at himself. He loved his daughter, and he knows Miles loves it dad. But having been on the other side of it all, he sees it as not worth it.

Miguel wants to be the only Spider-man who is the way he is. He doesn't want to Miles to do what he did, become what he is. Because he knows theres no coming back from that.

If Miguel could go back and shake himself and scream in his face to leave Gabriella alone, to just leave her dimension alone, he would. But he can't.

So he does it to Miles.

Miguel as a Boss

I don't think Miguel is an outright mean or abrasive person. I feel like outside of Miles, he's fairly calm, albeit a bit stressed. I could see him being really organized and good at time management -

And I can see Miguel being good with people. I don't think he's the kinda boss that'd be like 'Oh, you had a canon event last night? Your girlfriend fell off a building? Yeah, we get that a lot, get over it.'

And if anything - I think he'd want to help the Spider-people when it comes to processing canon events.

Miguel believes that canon events are necessary, not just to the multiverse, but to the development of who Spider-people are 'supposed' to be. So I think he'd set up support systems around HQ to help them process it, and he'd at least be a bit understanding.

I could absolutely see Miguel as the type to ask a teammate "Are you alright?" after something intense, or telling them to sit out. I could see him giving generous leave for Spiders who are going through stuff.

By Jess's response, it seems as if he leaves most of that to her, but I feel like the fact he stops to tell Gwen "Don't worry, kid." shows that he's use to comforting people, or prioritizes putting people at ease.

I mean, what Spider-man doesn't?

Miguel does seem to get along with people (aside from Miles and Gwen when he's scolding her), and it seems like people do like Miguel.

Miguel's Personality

Tbh - I don't think he's nearly as angry as fandom makes him out to be.

He was raising a child. I imagine that for the most part, he's pretty patient.

Like if you call him a name, he's not gonna get pissed. I feel like he's more likely to be like "Haha. Very funny." Or just pinch his nose bridge and be like "You done?"

I mean I know with all the gnashing and clawing and yelling and going apeshit, it can be easy to imagine Miguel as JUST that.

But I also like to imagine that most of the time, he's just like that normal boss as Target.

And a lot of his day is spent doing boring mundane things.

He's not always standing there brooding over videos of him and his dead daughter. He only does that when he's psyching himself up to yell at Miles.

Outside of that, he probably has a lot more things to do, realistically speaking. Organizing missions, checking status reports, looking over intake forms of anomalies, okaying and vetoing different protocols. Approving new technology, taking complaints from members, dealing with Hobie (an extra job in its own right), fixing things MayDay breaks, etc, etc.

And he's completely fine with that. Maybe he even finds calmness in it. When there's order, and routine, and everyone is working together and there's no kinks in the hose per say, he can operate.

Like yeah he's a little irritated and looks like he only slept 4 hours - but he's here and he's going to work with his team and employees, make sure things run smoothly, and make sure everyone gets home safe.

He's gonna try and make the society a nice place to be and make sure people on the team (like Lego) feel appreciated and odd-one-outs like Hobie get to hang and do what they want without much kickback.

The other Spider-people - like Pavi - wouldn't have joined otherwise.

If Pavi had showed up and Miguel was all stern and cold and rude, he probably would've been like 'no thanks my friend'

Miguel knew Peter B. before he lost Gabriella. So he had to become friends with Peter some way. He was putting up with Peter and his humor by choice, and in return Peter must have found Miguel cool enough to hang out with.

I think it's because Miguel is good with people, a lot of different types of people.

He's pretty down to earth, even if he is a work-aholic. He can be fun to chill or hang out with, even if he's a bit of a tight-ass.

Sure his humor may be dry, and his personality tame, but he's just him.

But I can see him as being a guy who you see at the gym routinely and never say hi to but you just nod at each other in silent respect while doing your workouts sometime.

Or the dude at your job you only see at the coffee machine - you know he does other stuff, but you never run into him anywhere else.

Or the dude who'll stop on the street when you ask for the time and lift one earphone before telling you it, then walking away without another word.

DO YOU GET WHAT I MEAN DO YOU GET THAT VIBE Like just Dude He's like a dad but not like a 'Dad vibe' with like sneakers or anything but like 'Dad who comes to PTA meeting but doesn't talk to anybody and quietly leaves when it's over'.

DO YOU UNDERSTAND PLEASE TELL ME IF YOU UNDERSTAND THIS VIBE It's giving Ken.

Anyways stop avoiding Miguel's Kenergy.

[david-talks-sw]

Debunking more myths in the GFFA: the Jedi and the clones.

I wrote a post debunking the various myths about how "the Jedi condone slavery", a while ago. Something I had omitted (because it's such a big topic) was the following two statements that concern the clone troopers' relations with the Jedi:

"The clones were genetically bred to have accelerated growth, so they're technically child soldiers."

"The clones were slaves of the Jedi."

Both the above statements are inaccurate, let's explore why. 

"The clones were child soldiers"

Let's get the easy one out of the way first, because it's a logic that cuts both ways. If age is our only determination of the maturity of a Star Wars character, then Grogu is not a baby. He is aged 50, and is thus a middle-aged man.

Who cruelly eats the babies of a woman...

... and knowingly tortures animals for his own sadistic pleasure.

Of course, I'm kidding. Grogu's none of the above things.

The narrative frames him as a cute baby who does innocent baby stuff. Him eating the eggs is played off as comedic, as is him lifting with the frog. To this day, some fans still call him "Baby Yoda".

Conversely, despite the clones being 10/14-years-old, their actions, behaviors, way of thinking, sense of humor, morals etc, are all those of an adult.

Like, Ahsoka is technically older than Rex in this scene.

The scene doesn't portray them as peers, though. This isn't written as "a teen and a tween talking". No, Rex looks, acts and behaves like a grown-up and is thus framed as such by the narrative.

You can make the argument "they're child soldiers", but (unless you're doing so in bad faith) you'd also have to argue that "Grogu's an adult".

"The clones were the Jedi's slaves"

Nope. For all intents and purposes, they're in the same boat as the Jedi, who George Lucas stated multiple times had been drafted to fight in the war.

Again: both the Jedi (monk/diplomats untrained for fighting on a battlefield) and clones (literally bred en masse only to fight) are being forced to fight by Palpatine and the Senate.

Though, on paper, the clones were commissioned by Jedi Master Sifo-Dyas, it was actually done by the Sith (who either manipulated or assassinated Sifo-Dyas then stole his identity, depending on the continuity you choose to adhere to). The rest of the Jedi had no idea these clones were being created.

So while the clones are slaves... they're not owned by the Jedi.

They're the army of the Republic, they belong to the Senate. This isn't exactly a scoop, they refer to the clones as something to purchase...

... and manufacture.

As far as the Senate’s concerned, clones are property, like droids. 

Like there's a whole subplot in The Bad Batch about this very point: after the war, the clones are decommissioned and left out to dry because they literally have no rights, they served their purpose.

The only trooper to ever canonically blame the Jedi for the clones' enslavement is Slick, who the narrative frames as having been bribed and manipulated by Asajj Ventress into betraying his comrades.

Also, the only canonical Jedi shown to ever be mean, dismissive or mistreating the clones in any way, is Pong Krell.

And it's eventually revealed he’s in fact a full-on traitor, hence why the story frames him as an antagonistic dick from the moment he's introduced. He doesn’t represent the Jedi in any way.

We know this because the other Jedi we’ve been shown are always prioritizing their clones’ lives over theirs, if given the chance.

Finally, if we wanna get even more specific... as Commander-in-Chief of the Grand Army of the Republic (GAR), the clones belong to Palpatine. 

Palpatine who is a Sith Lord. 

Palpatine who arranged for the creation of the clones and had them all injected with a chip that would activate upon hearing a code-word...

... and forced them to murder their Jedi without hesitation or remorse.

When you bear all that  ⬆️  in mind and when you read this quote by George Lucas...

"The Jedi won't lead droids. Their whole basis is connecting with the life force. They'd just say, 'That's not the way we operate. We don't function with non-life-forms.” So if there is to be a Republic army, it would have to be an army of humans."    - The Star Wars Archives: 1999-2005, 2020  

... narratively-speaking, everything falls into place.

Sidious knows that:

If he orchestrates a war designed to thin the Jedi's numbers, corrupt their values and plunge the galaxy into chaos...

If he wants to draft the Jedi - peace-keeping diplomats who’d never willingly join the fray - to fight in his war...

... then the only way they won't resist the draft and abstain from fighting is if they think joining the conflict will save lives.

So he creates a set of cruel, sadistic villains for them to face, opponents who will target innocent civilians at every turn...

... and instead of lifeless droids, he prepares for the Jedi an army of men... living, mortal people who, despite being well-trained, will be completely out of their league when facing the likes of Dooku...

... Ventress...

... Grievous...

... Savage Opress...

... or the defoliator, a tank that annihilates organic matter.

Thus, in order to save as many clone and civilian lives, the Jedi join the fray despite knowing that doing so will corrupt their values. 

And as the war rages on, a bond of respect is formed between the two groups.

Clearly, the Jedi don't like the fact that the Republic is using the clones to fight a war, but for that matter, they don't like being in a war, in fact they advocated against it.

However, it's happening regardless of their issues with the idea or personal philosophies. Said The Clone Wars writer Henry Gilroy:

"I’d rather not get into the Jedi’s philosophical issues about an army of living beings created to fight, but the Jedi are in a tough spot themselves, being peacekeepers turned warriors trying to save the Republic."

And bear in mind, the Jedi are basically space psychics, the clones are living beings that they can individually feel in the Force... 

... so the Jedi feel every death but need to move on, regardless, only being able to mourn the troopers at the end of every battle.

We see this in the Legends continuity too, by the way.

(that is, when the writers actually try to engage with the narrative)

Also, if you ask the clones, they’re grateful the Jedi have their backs.

When Depa Billaba voices her concerns about how the war is impacting the Jedi's principles, troopers Grey and Styles are quick to make it clear how grateful they all are for the Jedi's involvement:

So the clones aren't the Jedi's slaves. If anything, they're both slaves of the Republic (considering how low the Jedi's status actually is in the hierarchy).

Only I'd argue the clones have it much, much worse. 

The Senate sees the Jedi as "ugh, the holier-than-thou space-monk lapdogs who work for us"... but a Jedi has the option to give up that responsibility. They can leave the Order, no fuss or stigma. 

A clone trooper cannot leave the GAR! If they do, they’re marked for treason and execution. Again, they’re not perceived as “people”.

And it doesn’t help that the Kaminoans, the clones’ very creators, see the troopers as products/units/merchandise. A notion that the Jedi are quick to correct whenever they get the chance.

How The Clone Wars writers describe the clones' relationship with the Jedi.

George Lucas hasn’t spoken much about this subject aside from the quote from further up. But to be fair... the Prequels aren’t about the clones’ dynamic with the Jedi, so it makes sense that he wouldn’t talk on that subject so much.

He did mention that part of The Clone Wars’ perks is that he could:

“Do stories about some of the individual clones and get to know them.”

But that’s as far as it gets. 

So for this part, I'm just gonna let Dave Filoni, showrunner of The Clone Wars and the upcoming series Ahsoka, and TCW writer Henry Gilroy - both of whom worked closely with Lucas - take the wheel. They make themselves pretty clear on how the clone/Jedi dynamic is meant to be viewed. 

Here’s Henry Gilroy:

"In my mind, the Jedi see the clones as individuals, living beings that have the same right to life as any other being, but understand that they have a job to do."

"The clones see the Jedi as their commanding officers on one hand, but also, at least subconsciously, they look to them for clues to social/moral behavior."    

"Some clones may find themselves getting philosophical leadership from the Jedi that helps them answer some of the deeper questions of life."    

"We thought this was a great opportunity to show how the Jedi interact with clones. Specifically, Yoda in a teaching role of the clones, who were socially new, who kind of grew up— who were created to fight, and he really broadened their horizons and helped them realize there was a great big universe out there that was bigger than just fighting and killing."    

And here’s Dave Filoni’s comments:

"I truly believe that the Jedi try to humanize their clones and make them more individual, as Henry says."    

"I think we saw that in Revenge of the Sith, when the Clones were colorful and named under the Jedi Generals, and then in the final shots of the film with Palpatine and Vader near the new Death Star, the ships are grey, the color and life is sucked out. The Stormtroopers are only numbers and identified by black and white armor or uniforms in A New Hope." 

"The soldiers have become disposable to the Emperor."    

"That is something the Jedi would never do."    

"Yoda teaching the clones much like he taught Luke. ‘Cause that was kind of natural for [the Jedi], a natural instinct to take to these clones like they’re students."    

None of the above quotes from two different writers of The Clone Wars, who had many interactions with George Lucas, frame the Jedi and the clones’ relationship in a negative way. 

How much more proof do we need that "the clones were slaves of the Jedi” isn’t the intended narrative?

My point being that while the clones' ordeal is indeed horrible, the Jedi have nothing to do with it. The narrative of The Clone Wars always frames it as the fault of the Sith, the Senate and the Kaminoans.

If you go by the intended narrative, the Jedi were the clones' teachers and brothers-in-arms. The clones and the Jedi were not just comrades.

They were friends.

[longing-for-rain]

Katara and Mutuality in Relationships

There are lots of conflicting opinions about which characters Katara felt attraction towards, which characters she didn’t, and how long she felt that attraction. I see in most cases, people point to quick clips of her faintly blushing or kissing another character on the cheek as evidence, but I think these kind of takes miss the nuance of the purpose attraction serves in a story.

Most importantly, I see these characters treated as if they are actually people capable of making their own decisions. It’s important to remember that these are fictional characters. They don’t make their own choices; the writers make their choices for them for the purpose of telling a story. From that standpoint, it’s more valuable to examine how a character’s story and narrative themes tie into their relationships with other characters. Animators can shove in a kiss or a blush wherever they want, but it’s harder to demonstrate through storytelling how and why two characters might feel attraction towards one another, and how a relationship between them would develop both characters and contribute to the overarching themes of the story.

In other words, when discussing which characters Katara is “attracted” to, I’m discussing which relationships and actions within the narrative build on her established story and arc. Romance is always integrated into a story for a reason, and considering that reason is important.

Unfortunately, ATLA is very much a product of its time in this way. It’s easy to see what romance adds to the arcs of the male characters—but not so much with the female characters. All three canon relationships (kataang, sukka, and maiko) follow this trend to some degree. The primary purpose of the woman in this narrative is to act as a prize for the man for performing some good deed. Once they’re together, she ceases having her own motivations and becomes an extension of the male character she’s dating. This is pretty blatant with Suki—she barely had a personality in that later seasons; she is there to be Sokka’s girlfriend. Similarly, Katara becomes a completely different character—she’s even animated differently—when the narrative pushes her into romantic scenes with Aang. Her character is flattened.

So what is Katara’s arc, and how do the romantic interactions she has throughout the series contribute to this?

Well, that could be a whole other essay itself, but to put it simply, Katara’s arc is one of a young girl devastated by grief at a young age clinging to hope that she has the power to fight and change the world for the better. Which she does as she gains power and confidence throughout the series—culminating in her defeating Azula in the finale.

But the part I want to focus on here is how Katara connects with other characters. She connects with them over shared experiences of grief and loss.

Take Haru, for instance.

Haru: After the attack, they rounded up my father and every other earthbender, and took them away. We haven't seen them since.

Katara: So that's why you hide your earthbending.

Haru: Yeah. Problem is…the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.

Katara: See this necklace? My mother gave it to me.

Haru: It’s beautiful.

Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.

Haru: It’s not enough, is it?

Katara: No.

This isn’t just a throwaway moment; it’s an important character moment that leads up to growth and the progression of Katara’s overall story, both in this individual episode and in the whole series.

Katara finds her power in the connections she’s able to make with other characters. It’s a powerful driving force for her that makes her a strong character even before her bending abilities develop. Imprisoned was such an important episode to establish who Katara is and what her power is, and adds so much to her arc.

But there is one line in particular from the above exchange that also stands out: Haru says “it’s not enough, is it?” and Katara agrees. Even this early in the series, we’re establishing the fact that despite her drive and hopeful outlook, Katara feels deeply hurt, she feels a deep sense of loss that she opens up about to other characters in moments like these. But unlike Haru…Katara can’t go rescue her mother. Her mother is dead, and we see her grapple with that grief throughout the series.

Another character she reaches out to like this is Jet.

Jet: Longshot over there? His town got burned down by the Fire Nation. And we found The Duke trying to steal our food. I don't think he ever really had a home.

Katara: What about you?

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.

Katara: Sokka and I lost our mother to the Fire Nation.

Jet: I’m so sorry, Katara.

Another important note about Jet is that there are explicit romantic feelings from Katara in this episode. Again, Katara empathizes with another character through a shared sense of loss. Sadly, in this case, Jet manipulated her feelings and tricked her into helping in his plot to flood the village…but those feelings were undeniably there.

That was the tragedy in this episode, but it also gives the audience so much information about Katara as a character: what motivates her, and what she wants. Katara is established as a character who wants someone who will connect with her and empathize with her over her loss—her greatest sense of trauma. She wants to help others but also receive support in return. The reason why she was smitten with Jet, beyond just initial attraction, is because he gave her a sense of that before Katara realized his true motivations.

A lot of people make the claim that Aang is good for Katara because he also feels a sense of great loss and trauma. And while on paper that’s true…does he really demonstrate that? I just gave two examples of characters Katara connected with this way, and both responded with deep empathy to what she said. Very early on in the show—the third episode—Katara attempts to connect with Aang the same way. How does he respond?

Katara: Aang, before we get to the temple, I want to talk to you about the airbenders.

Aang: What about 'em?

Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.

Aang: Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!

Just compare this exchange to Haru and Jet. No effort to empathize, not even a “sorry for your loss” or anything. It’s a stark contrast, and the reason for that is because this narrative entirely centers Aang. Katara’s narrative always seems to be secondary to his when they’re together—which is exactly my point when I say this relationship has a fundamental lack of mutuality. It’s built that way from the beginning of the series. It does not add to Katara’s arc nor establish what about this dynamic would attract her.

And, look, before someone jumps down my throat about this…I’m not saying Aang is a horrible person for this response. I think it’s a sign that he’s immature and has a fundamentally different approach to problems than Katara. Katara is a character who has been forced to take on responsibilities beyond her years due to being a child of a war-torn world. Aang’s approach to problems is avoidance while Katara never had that luxury. It doesn’t mesh well.

This is all in Book 1. I honestly could have gotten on board with Kataang if the series meaningfully addressed these issues…but it didn’t. In fact, they actually got worse in some ways.

Back to Katara’s mother. We’ve established that this is a core part of Katara’s character and like in the scene with Haru, she indicates that this is an unresolved issue that pains her. But then, in Book 3, Katara actually does get a chance to confront this pain.

This would have been a powerful moment. Surely the character who is meant to be her partner, her equal, would have been there for her. Surely he would have understood and supported her, fulfilling her narrative and adding to her story.

But Aang didn’t do that. I won’t go into details because there are a million analyses out there on The Southern Raiders, but Aang’s response to Katara was the opposite of understanding. He got angry with her, insinuated that she was a monster for wanting revenge, and tried to dictate her behavior according to his own moral values. And importantly, from a narrative standpoint, he did not go with Katara. One of the most important events in her arc, and Aang didn’t support her—he actually tried stopping her. He didn’t contribute to her growth and development.

Also noteworthy:

Katara: But I didn’t forgive him. I’ll never forgive him.

Even at the end of the episode, Aang clearly doesn’t understand at all what Katara is feeling. This line demonstrates it perfectly. He thinks she forgave him when that wasn’t the case at all…but of course, he didn’t even accompany her, so he didn’t see what actually took place. His worldview is fundamentally different from hers, and he’s consistently too rigid in his morality and immature to center Katara’s feelings.

Throughout Katara’s whole arc, her most significant character moments, Aang’s character just doesn’t come through the way Katara’s constantly does for him. Their narrative lacks mutuality. When Katara and Aang are together, she becomes an accessory to him. The ending scene is a perfect demonstration of this.

Now, to address the elephant in the room.

Which character does actually add to Katara’s narrative and support her growth as a character?

Correct! I just talked about how important The Southern Raiders is to Katara’s character and story, how it’s a chance for her to finally address the grief she’s been carrying since Book 1. And who stood by her side throughout this pivotal moment? Right—Zuko did.

You can talk all you want about how he’s a “colonizer” while Aang’s people suffered genocide, but you’re forgetting that “show, don’t tell” is one of the most basic aspects of storytelling. The fact is, despite how it looks on paper, Zuko was the one there for Katara at her critical moments. Zuko empathized with Katara more than Aang ever did—as demonstrated in this episode. Zuko never once brought up his own cultural values. Zuko never once told Katara what to do. Zuko’s position was that Katara should be the one to decide, and that he would support any choice she made. He supported her decision to spare Yon Rha, but he would have also supported her if she decided to kill him. I actually found this episode to be a satisfying reversal to what is typically seen in TV—for once, the female character is centered while her male counterpart takes the backseat and becomes a supporting role to her narrative.

Even before this, Zuko is shown to empathize with Katara.

Zuko: I’m sorry. That’s something we have in common.

I think what gets me about this scene is the fact that he’s still Katara’s enemy, and she was just yelling about how she hates him and his people. But despite that, Zuko still empathizes with Katara. She is fundamentally human to him, and he expresses that to her in a way that allows them to connect. Zuko stands to gain nothing from this. It’s true that Azula entered the picture and twisted things around—but in this moment, Zuko’s compassion is genuine. His instinct was to respond to her grief with empathy, just like she consistently does for other characters.

And finally, how else does Zuko add to Katara’s arc?

I don’t think there is any more perfect of an example than the finale itself—the culmination of the arcs and development of all characters.

Zuko and Katara fight together. In a heartbeat, Zuko asks Katara to fight by his side against Azula, because he trusts her strength. She’s his equal—both in his mind, and in a narrative sense.

Then, this:

Both of their roles are so critical in this fight. They both save each other. The scene has such raw emotion to it. These characters were together at the conclusion of their respective arcs for a reason.

This is the perfect conclusion to Katara’s arc. She just played a critical role in ending the war that has caused her trauma her whole life. She just demonstrated her mastery of waterbending (another thing she’s dreamed of throughout the series) by defeating the world’s most powerful firebender during Sozin’s Comet. Even though she had help as all characters do, these are victories that belong to her and demonstrate the growth and power of her character. And to top it all off? She was able to save Zuko’s life. She didn’t have to endure the pain of feeling helpless to do anything while someone else died for her; this time, she had an active role, she changed her fate, and she prevailed. Zuko plays an important role in Katara’s story without dominating it. They perfectly represent mutuality. They add to each other’s stories. Their narratives become stronger when they’re together, without one diminishing or sidelining the other.

So, from that standpoint, that’s why I always see the attraction between Zuko and Katara and why I see it lacking between Aang and Katara. Zuko and Katara’s story doesn’t need some cheap little throwaway moments to shine. It’s integral to both characters’ stories. We are shown not told of the way these characters feel about each other. Given everything we know about Katara, her goals, her values, her past loves…absolutely everything points to Zuko being the true subject of her feelings.

Because let’s be honest. The ending I just described is so much more powerful and so much more Katara than seeing her being relegated back to a doe-eyed love interest for Aang to kiss. It hardly even made sense—Katara played no role at all at the culmination of Aang’s arc. She was relegated back to a love interest, rather than the powerful figure we saw fight alongside Zuko.

[mayordea]

Happy birthday to the number one princess in the world!! 💖

~from her biggest fans :)

ramble of my scattered thoughts on the piece under cut as usual cuz i love talking 😋

This has been an idea I've been cookin for a while, and it was so cluttered and unlike any other ensemble piece I've made... and I decided I oughta do it anyway. I love Miku, I love Vocaloid, and I wanted to do something really ambitious and crazy for her anniversary. Crazy that she's turning her "canon" age this year TwT

I had the idea floating around since like, May...? And then finally started acting on it around June 18. I'm terrible with deadlines, obvious with how I can never make a silly birthday post in time, so I started wayyyy ahead to make sure I have some room to be lazy lol, especially with an idea as ambitious as this.

This was finished on July 12! So I had to sit on this for an annoying amount of time. Very difficult for someone like me who just wants to talk about everything I'm working on to the masses. But at the very least, that gave me the time to work on the draft for this post.

~~~

Here's some ~behind the scenes~ scribbles leading up to the finished piece!

Left is the chicken scratch plan i made in my handy dandy notebook (whenever things are getting real and ambitious, i always made a rough ROUGH plan in there. Usually I'd do a rough pass of the full thing, but this was too complicated for me to do traditionally. I majorly benefited from digital tools to make this possible). CyberDiva and CyberSongman were considered, but I ended up cutting them cuz I just didn't feel like drawing them sorry-- (just pretend they're off to the side. They gave Ruby and Clara the pizza lol). Right is the "final" completed sketch (before I decided to include Chika mid-way through coloring and VY1 and VY2 near the finish line). I started by drawing the main "groups" separated on a different canvas so I can plop them into the main canvas for easy rearranging and transforming. However I got lazy and ended up drawing everyone in the bottom right corner directly on the canvas since I liked seeing the big picture of everyone's positions. Y'know.

Almost excluded Chika! But I like her design so much that I just felt like including her last-minute. You win this time, Chika fans. VY1 and VY2 were very close to being cut! I added them when I began doing the banner and thought "eh why not". I figured their non-human designs would be pretty easy to include pushed back in the bg. Ik VY1 is more commonly associated with the fan design, but I referenced the hairpin cuz it was simpler and the fan looked very annoying to draw 😭

Sorry to the fans of many Vocaloids I had to cut because this composition was insane enough as is. I promise I wanted to include fellas like CUL, LUMi and Sachiko 😭 I will admit I was a little biased on who I wanted to include over others. Like, I don't normally care for Bruno and Clara, but I wanted to get some more international 'loids in the mix. Also wanted to stick in the realm of official designs and not fan-designs since, as much as I can appreciate those, are just a whole "wait who is that guy supposed to be" situation I didn't wanna deal with. I also did wanna include even more character references through the balloons, but they ended up being kind of ugly and overcomplicated the BG :,) (Oh, and while this was originally planned to be a Vocaloid-only piece, I did end up including Teto, Neru, and Haku 'cuz those are Miku's besties dude!!! They may not be Officially in the club but they're her girls and it would be criminal to not invite them to her birthday).

Anyway, this project marks the first time I've drawn a lot of Vocaloids. Lily, Piko, Rana, Yuki, Yukari, Miki, Maika, and many more lol. All of 'em I've heard or seen in passing, but now I actually drew them, and some have really cool and fun designs!! I got into a habit of drawing Merli after this since I just love her design for example. And I'll probably be drawing more lol!!

Oh and the last thing I'll add for now!! The cake is indeed made up of various song references!! I wanted to reference the "big four" producers, just absolute icons in Vocaloid history. The pink/black checkerboard is "World is Mine" (Ryo), the crescents on the side is "Rolling Girl" (Wowaka), the smiley faces is "Matryoshka" (Hachi), and the three hearts on the side is "The Vampire" (DECO*27, which is sort of a symbol of his whole Mannequin album tbh). I know "The Vampire" is a bit modern but I couldn't think of anything else off the top of my head. I'm a fake DECO fan I know 😔 "Matryoshka" was originally going to be referenced in the colors of the candles but believe me it looked like shit so I just went for something else last minute 😭

That's all I have to say!!! Hope you didn't mind the text wall if you made it here. I hope you like it as much as I do!!!! Happy freakin' birthday Miku!!!!

I have to deal with tagging all these characters now for my page,,, in the drafts my tags got cut off after a certain point so I think I'm massively breaching the tag limit 😭 um... I'll figure that out later...

not losing sleep that i can't tag everyone, even for page organization purposes because some characters have pretty generic names and some are a little hard to see in full yknow. If you're one of those people who tag every character in the art piece you reblog... I am very sorry.

[marypsue]

So if you follow me (and aren't just stopping by because you saw one of my funney viralposts), you probably know that I've been writing a bunch of fanfiction for Stranger Things, which is set in rural Indiana in the early- to mid-eighties. I've been working on an AU where (among other things) Robin, a character confirmed queer in canon, gets integrated into a friend group made up of a number of main characters. And I got a comment that has been following me around in the back of my mind for a while. Amidst fairly usual talk about the show and the AU and what happens next, the commenter asked, apparently in genuine confusion, "why wouldn't Robin just come out to the rest of the group yet? They would be okay with it."

I did kind of assume, for a second or two, that this was a classic case of somebody confusing what the character knows with what the author/audience knows. But the more I think about it, the more I feel like it embodies a real generational shift in thinking that I hadn't even managed to fully comprehend until this comment threw it into sharp perspective.

Because, my knee-jerk reaction was to reply to the comment, "She hasn't come out to these people she's only sort-of known for less than a year because it's rural Indiana. In the nineteen-eighties." and let that speak for itself. Because for me and my peers, that would speak for itself. That would be an easy and obvious leap of logic. Because I grew up in a world where you assumed, until proven otherwise, that the general society and everyone around you was homophobic. That it was unsafe to be known to be queer, and to deliberately out yourself required intention and forethought and courage, because you would get negative reactions and you had to be prepared for the fallout. Not from everybody! There were always exceptions! But they were exceptions. And this wasn't something you consciously decided, it wasn't an individual choice, it wasn't an individual response to trauma, it wasn't individual. It was everybody. It was baked in, and you didn't question it because it was so inherently, demonstrably obvious. It was Just The Way The World Is. Everybody can safely be assumed to be homophobic until proven otherwise.

And what this comment really clarified for me, but I've seen in a million tiny clashing assumptions and disconnects and confusions I've run into with The Kids These Days, is that a lot of them have grown up into a world that is...the opposite. There are a lot of queer kids out there who are assuming, by default, that everybody is not homophobic, until proven otherwise. And by and large, the world is not punishing them harshly for making that assumption, the way it once would have.

The whole entire world I knew changed, somehow, very slowly and then all at once. And yes, it does make me feel like a complete space alien just arrived to Earth some days. But also, it makes me feel very hopeful. This is what we wanted for ourselves when we were young and raw and angrily shoving ourselves in everyone's faces to dare them to prove themselves the exception, and this is what I want for The Kids These Days.

(But also please, please, Kids These Days, do try to remember that it has only been this way since extremely recently, and no it is not crazy or pathetic or irrational or whatever to still want to protect yourself and be choosy about who you share important parts of yourself with.)

[verysium]

bllk characters and what you think would be their type or what they find attractive in a girl?🙈💗💌

i mean... 🤔 do u want the truthful answer or do u want the ideal answer? cus i don't think any of the bllk boys (maybe with the exception of otoya and aiku) would have a type, much less let it be limited to a girl. but assuming they actually have a life outside of football, here are some traits they would find attractive in a person:

isagi would like someone he can see as a role model. throughout his life, he often finds figures that inspire him (eg. noel noa, ego, even rin if you squint hard enough). he doesn't idolize them, but he does find a way to incorporate their strengths into his playing style and actions. if you have a character trait he highly values, he will like you, and it's generally pretty easy to get him to like you. (unless of course, you're a massive dick like kaiser.)

i find that he gets along best with kurona and hiori. this is because (1) they can read his intentions well, and (2) they are quiet and level-headed. obviously, this would also apply to the romantic side of his life. isagi admires people who are similar to him but still have their own quirks and idiosyncrasies. for example, you subtly support him from behind the scenes and bring him snacks after practice and pack his bento every morning. he appreciates small gestures of kindness.

isagi is also someone very hot-headed as evidenced by his potty mouth. he likes someone who can match his energy and passion but is still calm enough to prevent him from doing anything rash. i picture him running up to you after a game, and the adrenaline causes him to pick you up from out of the stands and twirl you around in his arms.

canonically, isagi is unpopular with girls. he literally returned from valentine's day empty-handed. he tries to be nice most times, but truthfully, nothing except football really interests him. so if you can skip the small talk and start drafting football plays with him, i think he would be attracted to you. like very attracted.

unrelated but he likes someone with a pretty laugh.

bachira needs someone motherly. i feel like he never really got to be a child because everyone around him was constantly putting him down for being the "weird" kid. that's why his current personality is undeniably childish at times. it's the only way he can express the inner child he had before he grew up too fast. i think he'd like people who take care of him in a parental manner, whether that's scolding him for doing something stupid, wiping his chin cus he's a messy eater, or teaching him english every day.

i feel bachira is one of the most extroverted characters in blue lock. he genuinely thrives off his interactions with others. and for that reason, i think he'd be attracted to introverts because they differ so greatly from him. (he'd probably adopt them too.)

bachira has the most creative insults, and that's partially why he gets along so well with isagi. he's not afraid to get out of his comfort zone, nor is he afraid of pushing others to do the same. if this boy can hallucinate whole monsters, he can sure as hell rip his opponents into pieces. i feel like he'd have such a stark duality around you. he'd be beating the crap out of the other team, but the moment he sees you, he's all sunshine and rainbows and bounding over to ask you about your day and overshare about his.

ADHD. that's it. that's the quote. if you're hyperactive, then he's hyperactive, and you'll both be rocking the same boat. most people would assume he needs a grounding presence in his life, but i think post u-20 arc bachira is actually mature enough to process his own issues. now he just needs someone to let loose and have a little fun with.

rin needs a therapist. end of story. this boy is a whole case study. i don't think he's even mentally stable enough to have a romantic relationship. but if he were to date someone, i'd imagine that person is somewhat similar to isagi (and no, this is not a ship.)

isagi has something rin definitively lacks, and that is his strong, dynamic sense of self. when rin fails, he takes it heart. all solutions are linear and logical to him. if he missed a goal, it was because he didn't train hard enough. if he couldn't beat sae, it was because he just wasn't good enough.

but isagi completely changes his mindset every time he loses. (there's a reason why he's surrounded by puzzle pieces all the time.) analyzing is second nature to him. every failure is a catalyst for self-improvement, and he constantly breaks himself down in order to adapt and rebuild. rin needs someone like that in his life, someone who can teach him to be unafraid of change and embrace it instead.

rin also isn't immune to external influences. obviously, he is still learning to play football for himself. looking at the pxg version of him, he has had a significant change in mindset, but he still hasn't completely separated himself from this idea of "beating" someone in order to get to the top. according to his logic, if he surpasses both sae and isagi, he will finally be content. but the truth is, he won't be anywhere near content because his ego still isn't entirely his own. i think he would admire someone who refuses to let themselves be defined by others.

rin would also like someone who is patient because he clearly isn't. (boy was about to have a whole brain aneurysm when bachira threw that paper airplane at him.) honestly, you need to be both gentle and persistent with him. he hates it when people come on too strong, but he also finds his walls slowly crumbling when someone repeatedly goes out of their way to show that they care.

rin has a high level of emotional intelligence, as evidenced by sae's comments about his intuition. however, he can only work out a person's thought process about halfway before he starts to feel lost himself. for example, he can understand that sae dislikes losing, but he doesn't understand that it's innately tied to sae's self-worth and expectations as the eldest child/genius prodigy/role model. if he's going to romantically date anyone, then they need to be extremely skilled in the art of communication. otherwise, rin is going to easily misinterpret things.

finally, i think he'd like someone who knows how to comfort him. rin overthinks. like a lot. the cogs in his brain are constantly whirring. you need to lay him down on your lap and run your fingers through his hair and tell him that everything's going to be alright. (and it is going to be alright, because you're about to move both heaven and earth for him to make it stay that way.)

kaiser has no set type, but if he did, it would also be isagi (i'm sorry but yoichi is our harem princess for a reason.) kaiser oscillates between this superiority and inferiority complex. he even admits he was weak-hearted once.

any and all attraction is heightened for him because he gets obsessed easily. (like did you see his massive desktop displays of isagi? tell me that does not scream high-key yandere shit to you.)

however, more so than people, kaiser is fixated on ideals. he literally got a cheesy blue rose tattoo to remind himself that nothing is impossible, and he stands naked in front of his mirror every morning repeating the motto: "this is me." the self-esteem issues are glaringly obvious.

now, rather than completely shatter his entire worldview like isagi did, you need to be the one to gently (and i stress, gently) remind him that sometimes ideals aren't everything. kaiser is unpredictable, but the one thing that stays constant about him is the many masks he hides behind. everything is a role to him, and he takes center stage. but you need to convince him that none of this really matters. he doesn't need to bedazzle himself in tattoos and dye his hair and sport a mullet-rattail hybrid to be worthy of attention. sometimes his ugly bed head and dark circles are precisely the reason you love him.

second of all, you need to set firm boundaries (otherwise you'll end up like ness.) kaiser wants someone with a backbone, and he does not turn a blind eye to raw potential. victory is his end goal, and if you can bring him one step closer to that, he will stick to you. the only issue here is that you need to make sure he does not use you. and believe me, he will try. but if you draw a strong line between you two and stand your ground, he will start to see you in a new light. it can go both ways (love or hate), but either way you are someone important in his eyes.

lastly, i think he wants someone with a sense of humor. he's naturally cocky, and he needs someone to match his wit. ness already does that, but he doesn't give kaiser enough challenge. in my mind, i imagine kaiser trying to impress you with his german, but you give him a good run for his money when you already know how to speak it. things like that. he thinks it's hot when you can stand up to his level. but at the end of the day, your loyalty still lies with him, and you're not above/below him but rather the one standing beside him.

barou doesn't have a type. he is the type. you're lucky to have him.

otoya likes cute girls, even better when they have the standard fringe/bob cut look. he also lives for the height difference. teasing short girls by patting their heads is his signature move. he also likes it when girls wear lipgloss, like a sparkly candy pink shade, maybe even a spritz of perfume. he's also type to make fun of the little chubby pooch you get when you eat too much. he thinks it's adorable. personality-wise, it doesn't matter. he's going to cheat anyways. jk but on a more serious note, the person he's likely going to stay with forever is someone who can forgive his weaknesses and actually make the effort to understand him. instead of writing him off as an immature two-timer, he'd appreciate people who can actually hear him out. obviously, it doesn't excuse any of his actions, but it lets him know that you do indeed care.

aiku says he likes anyone who looks easy to break up with, but it's actually the opposite. he tends to go for older women who end up slapping him in the face. he's a womanizer, but he actually has a significant amount of character depth. generally, he's someone who goes with the flow, and nothing really upsets him. but to actually get to know him and his insecurities, you'd have to be someone really important to him. i think aiku is the type to be a serial dater before he finds someone he'll actually stick to. he's afraid of commitment, and it's for good reason. the authority figures in his life have failed him enough times to be considered unreliable. please be kind to him because the childhood trauma was not. i smell lots of emotional baggage here.

nagi likes the flame type because it has few weaknesses and helped him clear three levels in digimon. oh wait, you mean his ideal type? yeah, he does not know what that is, and he's too lazy to think of one. currently he's in the middle of fighting a custody battle for choki, and he's losing to a certain purple-haired freak. please come back later.

reo likes wine aunties lol. it's canon that he prefers older women, but i think it's just because they tend to know what they want. he likes people who have a set goal and are constantly working towards it. he himself diverts all his time and resources into football once he discovers that it is his calling.

i think he's the type to be extremely popular but not actually have any deep, long-lasting connections with any of his friends. he knows a lot of people, but he doesn't know them well. that's also why he gets so attached to nagi because nagi is the first person to really know him. in a way, i think that'd translate over to the people he loves as well. he likes people who don't beat around the bush. if they like him for who he is, they'll say it outright. he doesn't need to do any digging or engage in any form of the pretentious formalities he despises.

reo is rich, which is both a blessing and a curse. on one hand, he's all set for life, but on the other hand, it unfortunately makes many of his relationships conditional. he said it himself that people are often drawn to him because of his money. so i think he'd also like someone who isn't materialistic. he values honesty and genuine connection above all, so if you're ready to give him love regardless of his status, he'd sincerely love you too.

chigiri likes tomboys or any person with masculine characteristics. he's constantly getting mistaken for a girl at blue lock, so i think it'd just be funny to pair him up with someone who also shares the same androgynous plight. you two would bond over breaking gender norms.

he's a capricorn, and even if astrology is a pseudoscience, i still feel like the archetype fits him well. he refuses to let other people see him cry. he values his family a lot. he tends to be moody and intense at times. not to mention he is very goal-driven (excuse the pun.) based on that, i think he'd want someone calm and understanding. it's not that he needs someone else to work out his own problems for him. it's more so that he needs someone to remind him that he's still human sometimes. i feel like after his injury, he was sort of in this survival mode, constantly trying to prove himself and get back to the level he used to be at. but you need to remind him that he can relax once in a while. it's perfectly alright if he isn't as good as he used to be right now. progress comes at a different pace for everyone.

furthermore, chigiri tends to project a serious image most of the time, so i think it'd be nice if someone reminds him that he does have indeed an odd sense humor and his fair share of stupid moments, and that's totally okay too.

shidou likes anyone who doesn't like him, but this has to be done the right way. within blue lock, he's already sort of this outcast because no one understands his playing style (except maybe sae.) you need to show him that you value his eccentricities while also keeping him at an arm's length. he loves a challenge.

since he's someone unafraid to express himself, he likes to see that in another person. whether it's in your fashion sense, way of talking, body language, etc., he loves it when you act unapologetically yourself.

shidou is quite literally a dog kept on a leash, so you need to tug on that leash from time to time. he loves it when people attempt to tell him off and call him out for his bullshit. inhibition is a foreign concept to him, so he feels entertained when others try to teach it to him. he also thinks it's immensely sexy when you're angry at him. lord knows he is definitely going to slip that in mid-argument just so you can yell at him some more.

sae wouldn't even believe in the concept of a "type" in general because he thinks it's stupid to categorize people based on an ideal and fixed set of characteristics. (that's pretty rich coming from a guy who calls people who don't meet his standards lukewarm but we're just gonna ignore his hypocrisy.) either way, he has a non-traditional view of love and attraction.

i do think he likes people who are solid and reliable, and they can continuously yield quality results. he would also want someone who is as ambitious as him because i don't think he can realistically get along with someone who has no dreams or aspirations. it just doesn't fit well with his driven personality.

people who are empathetic and emotionally intuitive intrigue him since that's something he lacks. personally, i think he'd like someone who is mature (doesn't matter if they're older or younger.) if you can teach him something useful, he find you worthy of his time. and if you can read his feelings without him even telling you, he would consider you someone special.

sae needs someone who holds similar ideals to him but doesn't follow him blindly. (notice how he hated it when rin blindly relied on his assists when they were children.) he want someone who is independent because he is also highly independent. however, the difference is that they also actively make room in their life for other people, and that is something sae doesn't know how to do.

there's a point of growth somewhere in your relationship where you call out his mistakes and set him on the right path. sae struggles a lot with his definition of victory, and he finds it difficult to curb his greed. his ego is what sets him apart from everyone else, so failure is not an option in his books. unfortunately, this is also why he loses some of his original spark/motivation. you need to be someone who can tell him that failure is not a weakness, and sometimes the journey matters more than the ending.

also this poor boy needs someone to teach him social cues because i don’t really think he knows how to read the room. he’d probably unintentionally insult a chairman or investor, and you’ll be trailing after him with a sheepish smile as you bow and apologize for him. (i feel bad for his manager.)

[beescake]

PLEASE PLEASE MEGADUMP THE ARASOL!!! PLEAAASEE MR BEESCAKE I AM ON MY KNEES BEGGING YOU

HFHGHD GLADLY aaa i’ve been adding notes to it here and there for months but just hesitant to post it bcs im 🧍‍���️🧍‍♂️🧍‍♂️🧍‍♂

also this is just my own takeaway of the events, it doesn’t necessarily comply to the Ultimate Truth of Canon-Alignment or represent the actual facts of what hussie intended! v sentimental smh but hopefully its still interesting to read

i love when characters inform each other by proximity, it's one of my fave things to see in media :') it feels even more significant when two characters deliberately choose to stick together, so that when one operates, you can tell the other is similarly aligned in associative solidarity.

sollux is a keystone of this trope — whoever he aligns with is a wordless statement, a nod of approval. this stood out to me bcs the main four humans were alr friends by default, but once you reach hivebent you realize the trolls can actively choose who they want to hang out with.

and as we all know, after assessing every troll's biases/loyalties, sollux is the only one who maintains his selective preference for innately Good 👍 people.

aradia is such a beautiful character honestly, she evokes such incredible feelings in me. she might not have been consistently written with care but the best parts of her character are truly stunning. i think it's easy to remember sollux as the self-sacrificing one bc he's so open about it (and his friends frequently react to his Moments) but when you compare him to aradia, it's always struck me

how much more. raw it is

to be so alone as an agent of time, having to orchestrate immeasurably harrowing events nobody understands or gives a fuck about

with your role painted in the story as one who must tend to the needs of the narrative, responsible to match every next note

because when you're given the capabilities, it becomes your duty to carry it out.

it becomes expected of you to keep experimenting and arranging the machinations to work for everyone, dusting off hundreds of necessary failures to keep going

and having to be so unwavering in your drive knowing miserably that there's no one who can help you but yourself.

or alternatively: to make things fun! so other people won't think twice about letting you go off on your own.

sure she's had some very good buds, notably thanks to Team Charge v Team Scourge antics.

and yet, at the end of the day, the one friend that kept choosing her time and time again was the friend with the highest standards.

i can see why people like to define arasol as moirails/matesprits but surprisingly i find the nondescript, unlabeled aspect of their relationship more straightforward to understand.

there's no shortage of people who would accommodate sollux. most of the surviving trolls are his oldest friends bcs he’d chosen them well. his transparency with his feelings had built him strong friendships that won’t falter or break, regardless of how much of a dick he can be. they’ve already seen and accepted him at his worst, and they still like him for who he is.

contrast that with aradia, who'd been so approachable, friendly and reliable in her exchanges it was super fun to talk to her. but the moment she became depressed, all her connections broke down.

her friends became hesitant to interact with her (until she became god tier, “happy” and amicable again) because her gloom and resignation didn’t serve them. she dealt with it alone.

there’s def something of note here abt the disparity between the way male & female characters are written+perceived in homestuck (esp parallel arasol with davejade) but i won’t go into that lmaoo

with this in mind i like to think of sollux as a gift to her, a loyal companion given to complement and commend her resolve. she's capable of doing so much alone but hussie took the time to build her and sollux's relationship as one of a unit; a set.

the ambiguity of their status does complicate things, but i do believe it makes sense with their characters. aradia's relationship with romance is a rocky one, the dubious stringalong equius had with her is a pointed reminder that her feelings of attraction are ultimately controlled by the author writing her.

unlike the other trolls who can openly address and own up to their crushes, aradia had romantic emotions forced upon her (especially when hussie implies 'she kissed equius back on her own volition'). and it seems like her character is so intrinsically neutral abt attraction that even when forced by the almighty powers above, she's unable to retain it wholly.

however, looking back to pre-game when she could actually "choose" her own feelings, she did have a crush on sollux.

their soft spots for each other were so obvious to the point where other people could see it.

taunting aside, when vriska comments on their unit as bf/gf it actually informs the audience that arasol's relationship is romantic in nature despite not aligning with the quadrant system.

even while dead, aradia could still describe her care for sollux, expressing that she would like to see him happy. if they had more time to explore their relationship on alternia, it's possible they could've settled in a quadrant once they grew older.

but going back to the lack of labels, their dynamic was affected once more when aradia became god tier.

to me, her ascension was both the perfect culmination and possible closure of her character. it's the light at the end of her journey toiling through countless of timelines where she had to actively assess and participate. that's why it's cool to see her being silly and having fun giving guidance, passively exploring and watching other people do their parts.

and yet the joy of her freedom makes it hard to explore further introspection. if we take her by her word, she'd already come to terms with the hurt she's been through and forgiven those involved.

i can't help feeling attuned to how impersonal and detached it can be, to devote and meld your identity so completely with your designated position as Maid of Time until you've become hard for your old friends (and even some readers!) to personally connect to.

idk post-canon but i assume there’s some degree of similarity to be bridged here with aradia's god tier and how the hs2 humans' Ultimate forms was described as a consolidation of all their possibilities. since aradia's classpect is inherently of service to Time, going god-tier may have elevated her beyond personhood with the "game construct" possessing her entirely. sollux doesn't realize the extent of it bcs he's still mortal, but a part of him may have subconsciously understood this.

i think there is a core aspect to aradia that was lost to the dehumanizing glory of god tier — a core aspect that may have contained an element of why sollux enjoyed talking to her in the first place.

to him, aradia hadn't just been a nice girl, she was a cool girl. despite not having much in common, he's still willing to chill next to her so she's not alone while she does what needs to get done.

back on alternia, they held a mutual and equal-level regard for each other that could've definitely settled into something permanent. but now, he's placed himself in a position where he can be kept around or left behind at will. the parameters of the relationship are largely in aradia's court, so any label she suggests to identify their relationship with he's likely to accept.

but that's why it's so difficult to label it. because god tier aradia may not necessarily Want quadrants or relationship labels. rather than the initial romantic attachment, their commitment to each other had evolved into one fundamentally of companionship.

no label? ok fine. no matter what, he still thinks she's a good soul worth latching on to. the best, actually. aradia > everyone else.

even if it gets stilted at times. there's an unexpected struggle to connect when sollux's go-to default for talking points is his feelings about things, and aradia may not want to talk about emotions all the time.

not to mention god tier aradia became an observer, especially of chaos. but sollux's avoidance of involvement comes partially from his innate pressure to get involved if something goes wrong. and he can't always tell when something goes wrong, because aradia doesn't mind if things go wrong anymore.

it's a non-negotiable preference that causes them to take the occasional time apart, a new boundary that wouldn't have existed before the game and aradia's god tier.

but just like how his friends tolerated his moods, sollux accepts aradia as she is. with no quadrants, their connection doesn't break down because there's no implicit romantic expectations to be disappointed by or resentful over.

sometimes when i see hs content that deliberately distances sollux from aradia, i assume this is the dissonance people might have felt. people might find it "easier" to be cynical about them bcs of this strange tension.

but idc lmao. grab that shit by the neck

lack of easy resolutions and cleanly tied ribbons is pretty standard of homestuck and imo it doesn't make arasol's dynamic any less incredible. with the right affection and consideration, there's still so much potential to develop the nuance of their relationship outside of the popular quadrant-based depictions.

hs has a lot of really great character compatibilities but the way aradia and sollux are in their own special orbit is why i can write this much about them in the first place. it's that frail innocence between first loves that makes it so sweet to me, two kids who grew up too fast playing guesswork without being clear where they're going.

ultimately i do think you're meant to feel a little tragedy for just how much they care for each other, even if they can't quite establish it in simple terms.

maybe they keep taking breaks to progress their own paths. maybe they remain as anchor partners while seeing other people. but even if you decide to separate them, they're still (awkwardly) texting each other updates all the while. and when they reunite it feels like coming home.

and well. more than anything, i like to believe that they do want to be exclusive.

they're just afraid. after all, they're still learning how to love, beyond the projections of the foursquare quadrant system they had inadvertently distanced themselves from since young.

they might not have everything figured out, but they'll get there eventually if you just hold them together and write them there.

optional post-canon segment:

one of the limitations of main hs is that (monogamous) relationships are often written as the go-to solution to wrap up character growth; it's an easy "patch" to imagine characters getting their happy ending because they have a partner, and those who don't end up with someone don't get that closure (most notably jade).

hs2 reaffirms this by suggesting that aradia's character cannot progress without letting sollux go, because happily settling in a relationship automatically locks your potential.

that pathetic panel of sollux staring emptily into the sky is still my fave hs2 spoiler ngl i find the impact of their parting so emotionally provoking precisely bcs they were written in original hs to be each other's forever, coming back together again and again

but now, they're subject to the decisions of the post-canon authors who might choose to deviate from that.

it's not new for them to part, but now there's an underlying worry that her dropping him off this time might be the last time. while i think the prospect of shattering their stability to make them grow separately sounds fun on paper, no amount of me desperately hoping for a good execution is gonna guarantee it

idk. i guess prediction-wise im expecting sollux in classic dramatic-hs2 fashion to tell dave to back off aradia LMAO. otherwise it's just gon be sollux and karkat pathetically watching aradia and dave from a distance swimming in their unresolved feelings for narratively-powerful time players smh obvs it sounds corny as hell but who knows its still plausible

srsly tho i hope they take the opportunity to develop arasol's relationship in a fresh direction that doesn't hurt me too badly...... and i hope they force sollux out of his comfort zone. i like watching him struggle :-)

[magicalink]

Sleep Headcanons💤

How your non-human husbandos need or not need to sleep. This is part of Better Find Husbandos AU and speaks of the times when reader was in a relationship with each of the boys. Contains: fluff! Domestic slice of life! Headcanons canon for Better Find Husbandos!

Characters: Venti, Albedo, Xiao, Scara/Wanderer/Kuni in order x female reader. (arranged in the order reader slept with them :3)

Venti

The body your dear wind spirit created to inhabit completely resembles the one of a human. Even if he is strong and resistant due to his nature, he needs to eat, drink, go to the bathroom, etc, to sustain this vessel without resorting to using his Archon or wind spirit powers, which cost energy that is no longer unlimited now that he doesn't have the Gnosis anymore.

Therefore, obviously, he totally needs to sleep. He sleeps every single night (or day, after a hangover) like any healthy human. That keeps him in shape and without the need to cheat and grab elemental or divine energy from his stash, which he only does when strictly needed. Because of this, in his humanoid, weakened state, it's really easy for him to get drunk. But if something very bad happens and he needs to sober up to protect you, he won't hesistate to grab that power and using it to strengthen or modify his body and fight alongside you.

As I said, he sleeps every night and he likes doing it with you. He was so happy when you gave him a room in your teapot, since then he didn't need to sleep on the street or sneaking under Diluc's vines to get shelter. But ever since you got intimate with him he doesn't use that room and to be perfectly clear, he has no intentions to go back to it. He crawls into your bed every single night and he loves it.

He uses the cute little pajamas you made for him when Barbara taught you how to sew, sleeping hat and all. He snuggles up to you and demands being little spoon. He snores all night, most of the time softly light a spring breeze, but some nights noisily like a hurricane, and he drools all over your pillow.

Albedo

Your dear friend Albedo, the chalkboy, the homunculus. It took a bit of time of friendship and some nights of sharing the bed with him whether because there was a snowstorm after you visited his lab and you were trapped or because he invited you with a straight face, but you learned about his sleeping habits too.

Very much like Venti, he needs to sleep and eat. He is a nice cook but he has weird tastes, such as eating spiders or so, but when he has guests he cooks decent food. He does have some resistance when it comes to spending some days without sleep, but it's not clear if this is due to his physical nature or his workaholic behavior. Sometimes he works for three days in his experiments running on 3 hours of sleep and caffeine seeminly unaffected. But besides those marathons, he does sleep regularly. He is careful with his health and the health of those close to him, like Klee and Sucrose, and he always exercises and eats healthy. (Matbe thst's why he is obsesses with the nutrients of spider and other unconventional foods) He is a grat brother and a grear friend and makes healthy foods for Klee and forces Sucrose in and out of bed whenever she is in one of those workaholic insomniac marathons or depressive strikes that prevent her from going out. After all, she doesn't have his superhuman resistance.

From the few times you slept with him, you know that he has a comfy double bed in a room behind his lab, sheltered from the frigid environment of Dragonspine. You were super comfy there, but honestly Albedo is kinda restless even when he sleeps. Apparently his curiosity doesn't stop even if he is dreaming, and he twitches and mumbles things about his experiments in his sleep. Sometimes he sits up, turns on the lamp, and writes notes on the notepad he keeps on the nightstand for when he gets ideas in the middle of the night. The few times you were with him, he apologized for waking you up, he gave you a warm smile and a gentle kiss and tucked you back, spooning you just to fall back asleep and mumble things about whopperflowers in your ear while his hand twitched like he was trying to write in his dreams.

Xiao

Xiao doesn't need to sleep. He can go an entire century without doing it, but it doesn't mean that doesn't take a toll on him, or that sleep doesn't help him. In fact, it's wonderful for his health, both psychological and physical, making him get stronger.

But sleeping is not easy for him. He hadn't slept in a long time, because he is scared of stopping his watch over Liyue for the smallest second, and because the nightmares he gets are atrocious.

It was only very deep into his relationship with you that you convinced him to sleep. The bond you have with him is so special, not only you cleanse his karmic debt energy but also your proximity manages to calm him down enough as to fall asleep. It took a long time to reach this stage but then when he laid by his side he could finally sleep, even if Venti was making a ruckus with his snoring and drooling. He loves him too, and wants to protect the both of you. So no, he doesn't need to sleep, and most of the time he is only keeping guard while in bed with you, enjoying the peace and quiet and your proximity, the sound of your breath. But sometimes he does relish in the luxury of sleeping by your side, and the morning after he always feels so refreshed that he feels like a different person: light, stronger, healthy.

He is a big spoon with an iron grip, his protective instincts never go down, not even when he is asleep.

Kuni

Ei created Kuni based on Khaenrian technology that aspired to create perfect humans, (such as Rinherdotir plans for Albedo) with a twist. She didn't want to create a human, he wanted a puppet that could fool humans into thinking that it was one of them.

She did succeed in making him indistinguishable from a human from head to toe. On the outside. But on the inside, he doesn't have the same organs humans have, (not even synthetic, improved humanly organs like the ones Albedo has) but synthetic organs that even if they are not like the ones of humans, they were designed to mimick their noticeable functions.

That is to say, as we all know, Kuni can drink and eat, and feel the flavor of the food. He loves bitter tea and despises sweets. But that doesn't mean he needs to expell those things. In fact, his "stomach" will dissolve everything with a potent acid which its recepy was lost along with Khaenria's demise.

So that's about all his bodily functions: he can perform them, to trick humans, because that was his original purpose. But he doesn't need to do it to survive. Eating, drinking, peeing, breathing. That is unnecessary keeping himself alive. That's just for show (As Kabukimono, not only he began drinking to pass as a human, but also he learned that he had to blink often to make humans less uncomfortable). Or for pleasure.

Because he knows you love when he breathes in your neck when he gives you kisses. And he loves to enjoy the flavor and aftertaste of a bitter black tea. Or to accompany you with a little platter of whatever you two are making for dinner for you and your glutton floaty companion.

Same goes for sleeping. He doesn't need to sleep. He could go an eternity without doing it and he would not die, his body would not get weaker. And as Kunikuzushi and Scaramouche, he never slept, he deemed it lowly and weak and he considered that the fact that he was able to wake himself from the slumber in which Ei put it was a signal of his superiority.

But sleeping is good for his mental health.

Ei planned his body meticulously, making sure to be in control of all his bodily functions. But as we all know, she everything regarding his mind slipped out of her control. She wanted a thoughtless, emotionless, empty puppet. But Kuni is so much more than that.

He had his own thoughts and emotions and desires from his first waking moment, and oh those feelings were human. They were so profoundly human Ei panicked and did what she did. Because if humans do have a soul, then Kuni definitely has one too.

And even if the body and brain don't tire, age or wear down, the mind does. The heart does. The soul does. Going around without sleeping won't make his body crumble, but it sure makes him stressed, irritable, depressed.

He got back in touch with the act of sleeping when he was still the Balladeer, when he started hooking up with you. Just to play. Just to experiment. After your passionate nights, he fell to the temptation of closing his eyes while you were cuddled up against him, nestled in his bed he never used before he met you. He was just planning to rest his eyes for a while, to experiment with those mundane pleasures. He never expected them to feel so good.

Nowadays, he loves sleeping. But it has to be with you. Otherwise, who would comfort him when he gets those atrocious nightmares??

When they don't haunt them, there's nothing better than to cuddle up against you in your shared bedroom in the Teapot after a long day. To close his eyes, hold you tight and relish in the warmth of your human flesh, of your steady breath, of your beating heart. Well, maybe there is something better: to wake up beside you the next morning and play with your hair until you wake up, laughing at you because you're grumpy that he interrupted your sleep.

He demands being big spoon all the time: he NEEDS to cling to you and cage you in his arms all night to feel like you will never abandon him because he truly doesn't want to end up alone again. He doesn't hate being little spoon though, it's just that it makes him feel so...vulnerable. Receiving love always makes him feel so vulnerable. Because it reminds him of how much he is convinced that he doesn't deserve it. So getting in contact with his feelings it's a struggle for him. He prefers when you hug face to face, when you nestle your face in his chest.

The same way he loves your human flesh, you love his truly special body. You love how cool it feels. It's not cold, it's just cool. His warmth is subtle, it's there, but it's not enough to make you sweat under the covers. He is the perfect cuddle buddy for summer! You love the way he syncs his breath to yours until you fall asleep. You love the sound you hear when you press your face to his chest. That sound you found that night when you held Scaramouche close for the first time in his camp. When you discovered it ticked.

He was defensive and ashamed back then, and he is insecure until today. He is convinced he doesn't have a heart, he can't press his ear to his chest, he can't hear the magical sound you claim to hear. He thinks it's your infatuation for him playing tricks with your mind.

But you know what you hear. When you nestle your face in his chest, on the left side, you can hear it. Tic, tac, tic, tac, steady, a mechanical sound ticking like a clock. Tictactictactictac, quickens, if you mamage to fluster him. It's the only sound that soothes your nights, along with your voice, so you sleep by his side every time you can.

But when you're away in yoyr travels, so busy or imprisoned in Meropide Fortress for stealing Furina's cake that you can't even go back to spend the night in the Teapot, what can he do?

He doesn't wanna sleep. There is no point. He has spent ages without doing it, so he can keep going without sleeping until you come back.

But...

He is now a college student, and the mental health toll of having to keep up with the Akademiya classes, his classmates that seem to chase him everywhere, and the constant deadlines of his thesis is too much to bear without sleeping. He knows he wouldn't be able to survive that hell without ending up snapping and kicking some sage's butt if he doesn't sleep regularly. He doesn't want to upset Nahida, so he does sleep when he has time. But it's just not the same without you! Hurry up and come back from those dumb travels to cuddle him!

Author Notes: I guess it surprises no one that Kuni's part is always longer ehe. Homegirl has her favorite. Also I'm super sorry I always do the same: posting a new random thought I had one night instead of finishing chaptwrs of ongoing series I've been promising for ages. I swear I'm working on them. I'm working on finishing that Albedo fic and I had a meeting with my editor (aka my boyfriend) to talk about the major plotpoints of Assembled Love and that gave me some inspo to write the next chapter. Im also working on another spin off chapter for it. (Honestly my most popular post is the other spin off, I wonder why)

Weird of me to post something that it's not smut, ain't it? 🤔 Normally my fluff has smut in it but ig this is like, my 3rd or 4th completely sfw post. Anyway, the posting of something new and random instead of finishing old wips is like a personality trait of mine 🥲 I struggle so much to finish old things cuz I don't find the right vibe that I craved to write something fresh and new. Note to self: hurry up and finish what I'm writing while it's new and the vibe is not gone, exactly what I did with the Assembled Love spin off that blew so much, I pulled an all nighter finishing it before I forgot the plot bc it was a dream I had.

In other news, I haven't had a genshin smutty dream in AGES. I bet that's the cause of my relapse into depression and not the economic crisis. Praying for Kuni to visit me in dreams like old times 🙏

Ig you can see I'm very in the mood of talking about my fics and genshin in general so inncase you are too, my dms and mailbox are always open, and so are my requests.

[loz-furbies]

Zelda ages based on when their games came out. Welcome to the team EoW Zelda!

Characters and design thoughts under cut:

For starters, I did a similar Zelda piece a few years ago and ran into the problem that I can't really draw anything else than anime teen girls, which is kind of a problem in a drawing where half the characters are above 20 and their age differences are the whole point. And in addition almost everyone is supposed to be royalty with very similar clothes too. But in my defense, in general it can be pretty hard to tell the ages of 25 to 40 year old anime women anyway.

I needed a reference for the body proportions in order to even get started, so I quickly thought "who is an anime woman who doesn't look like a teenager", and used Yor's character sheet for assistance. The younger characters' proportions are a little inconsistent, since I couldn't choose if I would look at realistic growth chart or go with the anime look (where teens and children are often shorter than they would be in real life) so the result is this weird hybrid.

Four Swords (December 2, 2022) & Four Swords Adventures (March 18, 2004) - Chronologically they are different Zeldas even though they use the same promo art/character design, so I used the promo art design for the original FS Zelda and drew the FSA Zelda based on her sprite. There's not much to these designs, they have very little going on in terms of story or personality to use as inspiration and their character design doesn't offer much anything original when compared to the other more well known Zeldas either. Their only distinct element is the big red hair bow, but I thought it would look too childish when they're supposed to be in their twenties here.

Minish Cap (November 4, 2004) - There's not a lot MC Zelda that I could use for inspiration. But then I remembered that a while ago I wrote about how the pointy hat Queen Ambi wears should be used more often, so I thought I should put my money where my mouth is and draw it here, since Zelda does wear a red cap for a couple seconds in MC. In general the MC Zelda and both FS Zeldas are at a little awkward age for this picture, since they're too old for youthful child designs but not really old enough for more mature queenly designs either.

Skyward Sword (November 18, 2011) - Her design is based on her concept design, which I assume is meant to be her casual look and not the ceremonial costume she wears in the game.

Ocarina of Time (November 21, 1998) - I decided that age-wise she makes the cut of when I start using updos. Why do the Zeldas have such similar canon hairstyles anyway, it was surprisingly boring to work with them. Still not sure about the curls though, my fancy dress design artbook that I used for inspiration had so many cute curly hairstyles but I couldn't really use any here because I worried the characters would become unrecognisable. But since OoT Zelda had some curls in her "sideburns" she fell victim here.

Hyrule Warriors (August 14, 2014) - HW Zelda has a distinct enough design from the other Zeldas that it gives a lot of elements to work with, though her age here limits it a little since she's too young for bikini armour. Also because HW is a spin off, I also considered including the Cadence of Hyrule Zelda, but that led to the realisation that it would have opened the doors to CDI Zelda as well. Which I guess would have been fine, but this is already a pretty wide drawing full of adults, so while a Cadence of Hyrule Zelda would have been easy to fit on the front row, I couldn't justify adding even more adults just for the CDI games. So only HW is included because I've played it and actually like it.

Zelda 1 (February 21, 1986) - The original Zelda is at an age where it's a little awkward how there's little difference between her (38 years old) and OoT Zelda (25). But I couldn't think of any anime that would help me as reference here, and I don't think she's old enough to have that "this character is getting old" wrinkle under her eye (you know the one).

Echoes of Wisdom (September 26, 2024) - I think she looks a bit too old here to be a zero-days-old newborn but work with me here.

Breath of the Wild (March 3, 2017) - She's actually at the age where her mum died, poor girl. She's very refreshing to work with since her look is so different from the other Zeldas.

A Link to the Past (November 21, 1991) & A Link between Worlds (November 22, 2013) - Originally I also had the Oracles Zelda in this since she does have a unique design, but then again I consider the Oracles Link to be the same as in aLttP which ought to apply to Zelda as well, plus the design isn't unique in any interesting way and is just a combination of the OoT & aLttP designs, so in the end I just gave the Oracles Zelda sprite's hair buns to aLbW Zelda. Overall having to use the essentially same design for both aLttP and aLbW Zelda wasn't much fun, especially when neither really offers anything notable in terms of story or personality, but at least they're pretty far apart when it comes to age.

Twilight Princess (November 19, 2006) - I haven't played her game so I don't know a lot about her (other than reading the manga which didn't give me anything to work with either) and she's also close to her canon age (?) here so she ended up looking pretty similar to her canon design.

Spirit Tracks (December 7, 2009) - This was a tough one because technically ST Zelda does have a lot of elements to her story and character that could work for a redesign, but not really for the purposes of this picture. Anything train related is more of Link's thing, and anything ghost related doesn't really fit either since she's not supposed to be a ghost at this age. And as for the Phantom, I got the impression that while she learned to appreciate it, she didn't exactly like using it, and that personality-wise she would prefer not to go on another similar adventure. So In the end I just replaced the regular armour parts many Zeldas have in their designs with the Phantom armour and used the ghost palette for the rest of her look, and I kind of like the result. Her personality looks a little out of character though but I couldn't resist the opportunity to draw this with Grandma Tetra.

Wind Waker (December 13, 2002) - I haven't played WW so I'm not sure how accurate this is, but drawing her with the pirate design definitely added some much needed variety to this picture. I really like her twirly hairstyle in canon, but I also really wanted to draw her with short hair, so it had to go. Maybe ST Zelda can style her hair in a twirl when she gets older to compensate?

The Adventure of Link (January 14, 1987) - Really don't know what happened here, not particularly happy with the end result. I prefer to draw the Zelda 2 Zelda with her sprite design because just reusing the OG Zelda design is boring, but I really should have kept it closer to that since now she's practically unrecognisable.